![]() It’s also important to recognize that a lot of music is played on small earbuds and phone speakers, which conveniently accentuate the top end (yes, that was sarcastic). These sounds get especially pushed forward once you apply additional tools and effects to your mix.įor example, compressors react a lot stronger to lower frequency content, so as all the lower-end information is triggering the compressor and getting squashed down, the extremes of the top end tend to get pushed very loud. ![]() ![]() They can also cause a vocal to sound unnatural and odd. Why Should You De-Ess?Įsses and “sh” sounds (known as ‘sibilance’) live in very high-frequency ranges and can be loud, harsh, and annoying to the listener if left untamed. In fact, we’ve created the ultimate guide to de-essing so you can bring not just your vocals - but your entire mixes to the next level. Historically known as a technique to treat vocals, we’re going to go way past that. De-essing is easily one of the most overlooked tools at your disposal that can make or break a mix.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |